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wildsaltair · 1 month ago

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Nightmare

Pairing: Maximus Decimus Meridius x reader

Rating: T (hurt/comfort, angst, fluff)

Word Count: 2.3k

Tag List: @enjisbf, @nasatshirts, @empressenchanted

Author’s Note: Up until now I've never posted any Maximus fanfiction because it's always just sort of been something I did for my own enjoyment, but this is one that I don't mind sharing :) @streets-in-paradise inspired me by sharing some Maximus love with me, so this is dedicated to her (and all you other wonderful people who have made Tumblr a place where I can share my passion for this wonderful man)! There's a lot of love poured into this fic, so I hope y'all enjoy it :)

*~*~*~*~*~*~*~*~*~*~

You are not surprised to learn that Maximus has nightmares. The details of his past are something you can only guess at, though he has alluded to the terrible battles and bloody escapades that haunt his memories. You also know that his refuge in your home is the first peace he has known since he was a child.

But you are not prepared for the sheer forcefulness of his first nightmare. He’s asleep next to you in bed, pale blue moonlight filtering through the window of your room, but you are awakened by his movements in the middle of the night. He’s jerking back and forth, his face twisted in a look of concentration, agony, and terror. You can’t help the fear that rises in your throat at the sight.

He makes a quiet sound in the back of his throat, one hand gripping the sheets tightly enough that his knuckles turn white. Blinking yourself into consciousness, your heart tightens at the sight. Even all these miles and months away from battle, still his past pursues him in dreams.

His next convulsion shakes the bed, and you instinctively reach out to him, hoping to wake him from the nightmare. It proves to be a mistake the second your hand presses onto his shoulder to shake him awake.

His eyes fly open at your touch, but it’s abundantly obvious that he is not awake, still seeing visions of whatever memory he was in a few moments ago. The look in his eyes is one of pure survival instinct, of a desperation that breaks your heart.

A split second later, you’re flat on your back, and the full weight of his body is pinning you down against the bed. You barely have time to register the shock of his swift movement before you realize that you did not wake him up. Blinded by memory, all he can see is his opponent, and the thought drives you to panic and try to wriggle out from under him.

Grinding his teeth, he grips both your wrists in his left hand and restrains them above your head effortlessly, despite your struggling. You call out his name softly, then more loudly, but still he is lost in the nightmare.

You thought you had tasted his strength before, when he’s made love to you and demonstrated how easily he can hold you in whatever position he chooses, but this situation gives you an entirely new perspective of his strength. A second after flipping you over, his right hand is around your throat, his thumb pressing into your jugular with enough force to crush it.

You’ve never been afraid of him once, but in this moment, without a single hint of recognition in his eyes and all his power focused on choking you, you are so terrified you can barely react. You can’t even use your hands to try to push him away.

Knowing that you may only have a few seconds to react, you gasp out his name as loudly as you can, the word immediately drowned out by the pressure on your throat. Your vision is fading to black a moment later, all the feeling in your hands gone from his vise-like grip.

But your strangled cry reaches past the fog of his nightmare somehow. The pressure on your throat releases, and his eyes widen suddenly, letting you know that he’s finally awake and realizing what he has been doing.

You can never forget the look in his eyes at that moment. All the terrifying forcefulness, the single-minded fierceness, the brute strength that made him such a force of nature on the battlefield — it all vanishes in a split second, dissolving into a gaze of such horror and regret that it shatters your heart instantly. You know that from this moment forward, he may never truly trust himself with you again, a thought that devastates you for him.

You can’t move for a moment, still struggling to catch your breath, and the look of horror in his eyes only increases as he pushes himself off you. He seems torn between the need to gather you in his arms and the fear of hurting you as he just did. His lips move, but no sound comes out.

You draw a ragged breath, reaching out one hand toward him desperately. “I’m all right,” is all you can manage. “I’m all right.”

You try to push yourself to a sitting position, but you find that you simply cannot, still so shaken from thinking you were about to be choked to death by the man you love, who you know would rather die than cause you any harm. His hands are trembling wildly when he reaches out to steady you.

“I didn’t know it was you,” he says, his own breathing so erratic that you wonder if he can feel your pain. “I couldn’t see you. I didn’t know it was you.”

He’s repeating himself in absolute shock, his eyes scanning every inch of your face, your neck, your arms to see what damage he’s done to you. His shaking only worsens, but he doesn’t lay a hand on you during his frantic checking over you for injuries, just lets them hover as if he’s afraid to touch you again.

You manage to sit up this time, steadying yourself with a calming breath and trying to give him a relaxed smile. “I know, I know,” you murmur, reaching out to brush your hand over his ruffled hair. He almost recoils at your touch.

“I could have killed you,” he whispers, involuntarily shifting himself to the edge of the bed away from you.

You keep running your hand lightly through his hair, determined to reassure him. “Of course not,” you promise. “You were only dreaming. It was just a dream.”

“It was just a dream,” he echoes, but not in agreement. “A dream of a battle in which I almost died. In which I killed so many men I could never count them.”

You don’t betray a single hint of fear, just scooting forward to close the distance between you. You use both hands now, framing the sides of his face as his eyes search your face desperately.

“I’m perfectly all right,” you assure him with a smile. “See? No harm done at all.”

“You don’t understand,” he insists vehemently, his voice breaking. “I could have killed you. I didn’t know it was you. I only saw my enemy and thought of killing him.”

Seeing how shaken he is, you push forward and clasp your arms around his neck to steady him. He still doesn’t touch you, doesn’t return your embrace. You can feel his whole body quaking in your arms.

“You don’t understand,” he repeats. “You don’t know what I’m capable of.”

“I don’t need to know,” you whisper in his ear, stroking his hair rhythmically in the way he always responds to.

He actually pushes you away this time, his hands gentle on your forearms as he puts space between you again. His eyes are blazing, his face as white as your sheets. “You don’t know,” he murmurs again, dropping his hands. “I could snap your neck with one twitch of my wrist. I could break your wrists, your ribs, your spine as easily as I can hold you down.” He holds his hands up in front of you, eyes wide and haunted. “You have no idea what these hands have done.”

“I don’t care what they’ve done,” you argue, seizing his hands with yours before he can pull them away. This time, though, he doesn’t make a move to pull away, freezing in place while he watches you carefully. Slowly, intentionally, you kiss the backs of both his hands, his knuckles, his fingers, to demonstrate your words. “I know you, and I love you, no matter what you’ve done.”

He shakes his head, though his eyes drift closed at the touch of your lips on the base of his palms. “No,” he half-whispers, “no, no.” Your heart tightens seeing him so tortured, knowing that all this anguish lurks beneath his stoic exterior every day, hiding so you can’t see it. “I should never have risked you like this.”

“You’ve never risked me,” you insist. “You’ve never done anything but protect me.”

“Until tonight,” he counters sharply, his eyes flashing open and fixing on yours with his typical intensity magnified. “It only takes one time. I should never have taken the risk.”

You can read the meaning behind his words — that he thinks he can’t trust himself to sleep next to you. The thought of giving him up, especially for this reason, is utterly unacceptable to you.

“I am not afraid of you,” you tell him firmly. Your words seem to affect him, because the tension in his shoulders lessens fractionally. You kiss his hands again and again, then rest your cheek against the roughened skin that you love so much.

“You should be,” he replies softly, the severity in his voice already decreasing. You can see the waves of exhaustion and sorrow washing over him, and you reach out your arms to enfold him again. This time, he accepts your embrace, folding his arms around your waist gently and resting his forehead in the crook of your neck. His skin is burning hot against yours, his arms still trembling.

“I could never be afraid of you,” you whisper. “I could never be afraid of the man who has protected me and cherished me. You have treated me so gently, so tenderly all these months. Never once has it crossed my mind to be frightened of your strength.” You press a kiss to his shoulder, then the side of his neck. “I take pride in having the heart of a man so strong, so capable. I know you would never hurt me.”

He shifts you in his arms, lifting you slightly to align more easily against his body. You can feel the deep, shuddering breath he draws while he thinks about your words. “I would never mean to hurt you,” he replies, “but in a dream, I cannot tell the difference between memory and reality.”

“I believe you would be able to keep yourself from truly hurting me,” you reassure him, threading your fingers into his hair at the base of his neck. He reacts to your touch with a hand sliding up your back to cradle you closer to his chest.

“And if I could not?” he whispers in response, his lips pressing against the sensitive skin of your neck. “If I should wake and find you dead by my hand?”

You shake your head, feeling tears spring to your eyes. Any fear you felt in the moment while he was holding you down is completely gone, lost in the tender embrace he holds you in now. “I do not believe the gods would allow such a thing to happen. Not to you. Not to us.”

He releases a shaky breath, one that glides across the exposed skin of your neck. He ducks his head to press a kiss to your collarbone, letting his lips linger there in a way that makes you shiver in his arms. “I am honored by your trust.”

You smile in response, dragging your fingertips lightly down his sides, over the deep scar that slices down his ribs. “I could never trust another man on earth as I do you,” you reply. “My only fear is that I may drown in the love I see in your eyes every day.”

He kisses your collarbone again in response, then moves upward slowly, pressing his lips to the soft hollow of your throat, then the underside of your jaw at your pulse point. Lifting you up effortlessly with his hands hooked under your arms, he repositions you so that you’re straddling him.

He then rests his fingertips, feather-light this time, against the sides of your neck. He strokes his fingers over each mark they left, then presses the softest of kisses against each one. Goosebumps break over your skin at the intimacy of his actions, of the wordless apology in every touch.

He lowers his forehead against yours, eyes closed as he breathes you in. “I do not know what blind fortune allowed me to find you,” he murmurs, touching his lips softly against the corner of your mouth, “but I thank them every moment for the gift of holding you like this.”

At your affectionate smile, he finally gives you the ghost of one in return, though his eyes are still haunted. You suspect that he will retain that haunted look for some time, no matter how many reassurances you offer.

As the intensity of the last while calms, he shifts you in his arms again, cradling you gently and laying you back against the pillows. He leans up on one arm, facing you, and you reach up a hand to stroke the side of his face. His expression softens again, giving you a look of utter fondness and devotion that makes your heart melt.

He leans forward slowly, as if asking your permission, and you gladly grant it. His lips touch yours with a gentle brush, then a bit more pressure. His tongue slides across yours in the way that always sends shivers up your spine, and one of his hands reaches up to stroke your hair, the other resting lightly on your waist. He kisses you once, twice, three times, each one more tender than the last, then lets his lips linger against yours for a moment more.

“I love you,” he says softly that you barely hear it, but rather feel it against your mouth.

“I love you,” you return, “more than I can say.”

One last kiss, and he finally lays down beside you, his face mere inches from yours and his arm folded across your waist. He takes his time in going back to sleep, choosing instead to gaze at your profile in the soft moonlight, but sleep finally takes him. And when you finally close your eyes, content to sleep peacefully beside him again, it’s to the sound of his even breathing and the warmth of his protective embrace.

*~*~*~*~*~*~*~*~*~*~*~

More of my fanfiction if you're so inclined :)

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joycrispy · 1 year ago

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Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

#good omens #ineffable husbands #aziracrow #good omens 2 #crowley #aziraphale #good omens meta #I have no idea if I've made a coherent point here but I'm tired of this being in my drafts; RAW FEELINGS IT IS #it's about being sent to destroy and instead staying to love and protect and nurture I'M CRAZY I'M CRAZY RAAAAAAAGGHHHH #gnu terry pratchett

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